I make my works from poor materials related to the world the construction and rural fields, such as iron, wood, farming nets, textiles, glass all of which used to narrate a super-natural world.
The territory itself points to useful elements, namely clues that allow me to create a new metrics that I express through a language marked by my own relationship with matter.
In “Rural Plastic 2”, thanks to the intersection of four resin and tulle sheets, a plastic surface with childlike and brutal traits takes place.